Posts – Page 4 – Confessions of a Person of Uncertain Age

Stranger Times…

Yes, they certainly are. And actually dangerous times, whether it’s Corvid-19 or the panic merchants who would profit from it, so be safe out there. I’m sticking close to home in the meantime, working on my new show – the one I was going to perform extracts from at Threshold Festival of Music & Arts… Continue reading Stranger Times…

I’m not dead yet…

It’s been a while, I know, but I’m back, and I have stuff to share. First off, I have a new home. From my tiny eyrie in the city centre, I’ve now relocated to an actual HOUSE (albeit a tiny one) a couple of miles further out. But still close enough. And it has an… Continue reading I’m not dead yet…

SOMETIMES I THINK…

What a day! Sun is shining, flat is clean and sort of tidy, I’ve done my workout, my singing practice, my ukulele practice for our LiveKennedys gig next weekend, figured out what I’m doing at tomorrow’s Open Mic in West Kirby for the Liverpool Equity meet and greet.

Voice, Accent and Acting Coach

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News

Audience response to the New York production of "Yes! Because..." at the United Solo Theatre Festival, Theatre Row, 410 @ 42nd St, New York NY: “Ukelele at the ready, June Bloom calls forth beautifully delivered Shakespearean sonnets as she transports her suitcase and her niggling mummy issues across the stages of life. Rap on, Dame June!” Doug Honorof – Voice Coach, NYC “Flloyd Kennedy’s Yes, Because… is mesmerising, especially as it’s laced with Shakespeare Sonnets! The vocal pitch range she uses in the course of the show sets a brilliant example for young students who tend to stay within a very small compass.” Dr. Joan Melton, Musical Theatre Faculty, Manhattan School of Music, NYC (author of One Voice, Singing in Musical Theatre, and Dancing with Voice) “For an evening of laughter, whimsy and wit don’t miss “Yes, Because…”, Flloyd Kennedy’s solo show. You’ll spend an hour with a woman who will charm and touch you, make you giggle and guffaw, and do it while offering a refreshing, gently eccentric exploration of some Shakespeare sonnets. She sings and plays the ukulele, ponders life and family and British Pantomime – and every moment is delightfully, deliciously entertaining. I loved it!” Paula Hoza